So why is there a pervasive feeling that the brewing conflict is a case of an unstoppable force meeting an immovable object? It has more to do with how companies have deployed excessive capital to nab slashy programming and top-tier creative and acting talent. But the problem is less about whether Netflix and Apple can afford to pay writers. Sure, streaming has thrown the industry’s economics out of whack.
Some producers and executives privately acknowledge that the broad contours of the writers complaints - particularly having to do with streaming residuals and so-called mini-rooms - are legitimate and that reasonable heads ought to be able to resolve their differences without undue drama.Īnd writers aren’t buying the excuse that studio finances are tight.
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